Mar 052014

Luminarium improvises with the Stage Sensing System

Dec, 2013, Merli Guerra and Kimberleigh Holman invited me to bring my Stage Sensing System (a.k.a Dance Machine) to their studio in Cambridge, MA for an exploration. The dancers of Luminarium improvised through a number of configurations, and made some magic. You’ll see soloists and groups playing with the machine in linear, 2D, and X-Y configurations. All sounds were generated with Kontakt 5, triggered with a custom patch in Max/MSP, based on sensor data from the custom system. More about Luminarium at http://www.luminariumdance.org.

Luminarium Improvises with Stage Sensing from ebokTV on Vimeo.

May 232013

Inventing the Stein-O-Phone

While visiting with Richard Colton in his studio in Concord, he suggested we use words instead of musical sounds when triggering from the Dance Machine, which he has recently seen in action (video to follow soon, I hope). He has been reading Gertrude Stein’s “Tender Buttons”. This is particularly intriguing, since Stein’s concept was to use language rhythmically rather than always following standard grammatical rules. So I got home and recorded eight voice clips from “A Feather” which is one of the pieces in her book, “Tender Buttons”. Got it running on the Dance Machine this afternoon, and Zach and Wes came down to play with it. Have we out Gertrude Stein-ed Gertrude Stein?

Inventing the Stein-O-Phone from ebokTV on Vimeo.

Apr 292013

Getting caught up with AJB videos

Sometimes being under the weather can turn out to be a good thing. In this case, I finally found time to post the remaining videos from the May 26, 2012 performance of the Alumni Jazz Band at Harvard’s Sanders Theater. We were invited to play for the 25th Reunion Talent Show, which was quite literally a star-studded affair. But performing on that stage, where so many greats have played, and for an audience that was primed and ready to have a good time, was truly a pleasure. It turned out to be one of the most enjoyable evenings I’ve ever spent on a stage, so I’ve been dying to post these videos, produced by the Harvard Alumni Association. Enjoy them!

It Mostly Bees That Way Sigmund Floyd – AJB at Sanders Theater from ebokTV on Vimeo.

Basically Blues – AJB at Sanders Theater from ebokTV on Vimeo.

Stolen Moments – AJB at Sanders Theater from ebokTV on Vimeo.

Apr 182013

Dance Machine v1 starts to crawl from the lab

It may not look like much, but what you see in the photo is a big first step toward the realization of my vision for a large-scale sensing system for modern dance.

DanceMachiveV1

It’s 6 feet long, and contains 8 sensors. There’s a powerful infrared flood light (not shown) which keeps the sensors active, unless interrupted by the shadow of a dancer. When that happens, a trigger is sent via Ethernet to a computer running Max/MSP. If you’ve never heard of Max/MSP, it’s a build-your-own-interactove-media platform, and is stunningly powerful. To learn more, check out the Cycling74 web site.

Max allows me to route each sensor signal to a MIDI sound generator, note by note. You can control sounds created in GarageBand, Ableton Live, Logic Pro, whatever you like. You walk through the space, and the sounds happen. It’s a weird feeling, but very cool. It will get much more interesting, sonically, when I start to trigger loops and arpeggiators. That’s next.

My goal is to expand this setup to cover a 50 foot by 40 foot stage, using several hundred sensors. And in 3D (three layers of 40×50 sensor grids). With multiple dancers (16!). And I won’t stop with sounds. It’s going to trigger light cues, projections, videos, and even set movement.

Feb 032013

Getting into it: Free Passage and Improvisational Jazz

Welcome to my Music Blog! I hope to post new music and commentary on a regular basis, but I’ll start with a little detail about “Free Passage”, my improvisational jazz quartet.

When you hear the phrase “Improvisational Jazz” your eyes might immediately glaze over, or you might become hyper-thoughtful, or perhaps restless and eager to depart. But it doesn’t have to be that way.

Our goal is to engage our audiences with music which is based on the familiar but is clearly new. We frequently recall familiar chord changes or melodies, even playing through the whole song structure once or twice, before getting back to the free improvisation. We are not focused on just getting “out there”. Instead, we go out, then come back and sort of check-in, before we go out again.

The main thing is, I think, that our audiences quickly learn that our music is not nearly as scripted as other bands. They know it when we are doing something spontaneous, and the energy gets multiplied by ten, for us and for them. They know that much of the time we have no idea what may happen next, and it makes for compelling listening.

More soon…

Feb 032013

The Ring Makes Progress

Just added a few important features to The Ring! After extensive User Interface and Ergonomics Testing (read ‘fooling around with it’) by Joe Rinaldo, I concluded that the user needed some feedback to indicate which sensor (MIDI note) was being triggered. Hence the little red LED’s. Also added a momentary switch to allow MIDI program changes.

ringwithnewleds

Feb 032013

To Begin: An Interesting Failure

Welcome to the first post in my Engineering Blog! I am always working on something interesting, it seems, and I plan to post the most interesting events, surprises, failures, and successes right here. I’ll guess the failures will be more entertaining than the rest, but let’s get down to business:

I recently was asked to diagnose repeated failures in a set of high-voltage driver amplifiers for a local R&D firm. Their customer had installed the units, only to have many of them fail shortly after they were placed in service. Chips failed, were replaced, and failed again.

At first, opening the chassis did not reveal anything obvious, nor did the traditional probing around looking for component or wiring failures. So, I broke out the digital microscope. I saw some mechanical damage to a few capacitors, but this did not explain the symptoms. Searching deeper, I found a small ‘scar’ on one solder joint of a large driver transistor. It looked like an electrical arc had taken place, but no other components were nearby. At least I thought so until I began connecting the dots.

solderjointarc

The mechanical damage on the capacitors was being caused by contact with a mounting screw head which passed by as the amplifier circuit board was installed in its case. screwclearance With the circuit board seated in the chassis, the screw head ended up underneath the ‘scar’, and I had my answer. The screw head represented a chassis ground point places in very close proximity to a high voltage node of the circuit, and when the amp was cranked up, it arced over. Just a few of these arcs was enough to damage the transistors and cause amplifier failure.

screwheadarc

A simple fix, though: Flat head screws instead of round heads!

  • About Me

    I'm an engineer and musician, with interests in new technology for the performing arts, especially interactive systems. I'm also an active drummer and percussionist performing with several local ensembles.
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